Restoring the West by Ayaan Hirsi Ali

Restoring the West by Ayaan Hirsi Ali

Media, Arts & Culture

Pride Month & the Insidious Moral Reeducation of Popular Culture

When every major institution insists on teaching the same moral vision, culture stops reflecting society and starts trying to reshape it.

Delphine Chui's avatar
Delphine Chui
Jun 05, 2026
∙ Paid

The argument: Modern entertainment no longer simply tells stories shaped by social values and human experience, increasingly promoting worldviews built around fluid identity and self-definition instead–yet when cultural messaging becomes pervasive enough, young people internalize these ideas not merely as normal but necessary for social acceptance.

WHY IT MATTERS

Every June, corporations, streaming platforms, schools, and entertainment companies transform so-called “Pride Month” into a virtue-signalling spectacle. Logos change color, storylines shift focus, and audiences are reminded that affirming a particular vision of identity is now treated not simply as tolerance but cultural obligation.

The institutionalization of Pride Month has rapidly become a fixture of the modern cultural calendar, driven by the widespread adoption of it by corporations, entertainment companies, schools, and major brands (particularly since the 2000s). And what a civilization repeatedly celebrates eventually becomes what it normalizes, rewards, and protects. Entertainment no longer merely entertains; it increasingly functions as moral formation.

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Delphine Chui's avatar
A guest post by
Delphine Chui
Delphine Chui is Senior Editor of Media, Arts, and Culture at Restoring the West. Follow her on X @delphinechui.
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